Showing posts with label Neil Gaiman. Show all posts
Showing posts with label Neil Gaiman. Show all posts

Thursday, September 23, 2010

I Cthulhu, by Neil Gaiman

Hi folks.  Today, I have a special treat for you.  As I mentioned earlier in the week, the work of H. P. Lovecraft has inspired a generation of writers, many of which added their own tales to the Cthulhu Mythos.  One such author is Neil Gaiman, a common topic of L&M.  Most known for his dry humor and imaginative "fairy tales", Gaiman wrote his own piece inspired by Lovecraftian Lore.  I Cthulhu is in the form of a memoir, dictated by the Great and terrible Cthulhu to one of his puny slaves.  Gaimain pokes fun at the often serious nature of Lovecraft's tales, and gives us possible insight into the life of Cthulhu, a creature that we've otherwise only read about in reference to unspeakable evil, devouring souls, and the end of the world.  Enjoy!

--

I Cthulhu
or What's A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This (Latitude 47° 9' S, Longitude 126° 43' W)?
I.
Cthulhu, they call me. Great Cthulhu.
Nobody can pronounce it right.
Are you writing this down? Every word? Good. Where shall I start -- mm?
Very well, then. The beginning. Write this down, Whateley.
I was spawned uncounted aeons ago, in the dark mists of Khhaa'yngnaiih (no, of course I don't know how to spell it. Write it as it sounds), of nameless nightmare parents, under a gibbous moon. It wasn't the moon of this planet, of course, it was a real moon. On some nights it filled over half the sky and as it rose you could watch the crimson blood drip and trickle down its bloated face, staining it red, until at its height it bathed the swamps and towers in a gory dead red light.
Those were the days.
Or rather the nights, on the whole. Our place had a sun of sorts, but it was old, even back then. I remember that on the night it finally exploded we all slithered down to the beach to watch. But I get ahead of myself.
I never knew my parents.
My father was consumed by my mother as soon as he had fertilized her and she, in her turn, was eaten by myself at my birth. That is my first memory, as it happens. Squirming my way out of my mother, the gamy taste of her still in my tentacles.
Don't look so shocked, Whateley. I find you humans just as revolting.
Which reminds me, did they remember to feed the shoggoth? I thought I heard it gibbering.
I spent my first few thousand years in those swamps. I did not like this, of course, for I was the colour of a young trout and about four of your feet long. I spent most of my time creeping up on things and eating them and in my turn avoiding being crept up on and eaten.
So passed my youth.
And then one day -- I believe it was a Tuesday -- I discovered that there was more to life than food. (Sex? Of course not. I will not reach that stage until after my next estivation; your piddly little planet will long be cold by then). It was that Tuesday that my Uncle Hastur slithered down to my part of the swamp with his jaws fused.
It meant that he did not intend to dine that visit, and that we could talk.
Now that is a stupid question, even for you Whateley. I don't use either of my mouths in communicating with you, do I? Very well then. One more question like that and I'll find someone else to relate my memoirs to. And you will be feeding the shoggoth.
We are going out, said Hastur to me. Would you like to accompany us?
We? I asked him. Who's we?
Myself, he said, Azathoth, Yog-Sothoth, Nyarlathotep, Tsathogghua , Ia ! Shub Niggurath, young Yuggoth and a few others. You know, he said, the boys. (I am freely translating for you here, Whateley, you understand. Most of them were a-, bi-, or trisexual, and old Ia! Shub Niggurath has at least a thousand young, or so it says. That branch of the family was always given to exaggeration). We are going out, he concluded, and we were wondering if you fancied some fun.
I did not answer him at once. To tell the truth I wasn't all that fond of my cousins, and due to some particularly eldritch distortion of the planes I've always had a great deal of trouble seeing them clearly. They tend to get fuzzy around the edges, and some of them -- Sabaoth is a case in point -- have a great many edges.
But I was young, I craved excitement. "There has to be more to life than this!", I would cry, as the delightfully foetid charnel smells of the swamp miasmatised around me, and overhead the ngau-ngau and zitadors whooped and skrarked. I said yes, as you have probably guessed, and I oozed after Hastur until we reached the meeting place.
As I remember we spent the next moon discussing where we were going. Azathoth had his hearts set on distant Shaggai, and Nyarlathotep had a thing about the Unspeakable Place (I can't for the life of me think why. The last time I was there everything was shut). It was all the same to me, Whateley. Anywhere wet and somehow, subtly wrong and I feel at home. But Yog-Sothoth had the last word, as he always does, and we came to this plane.
You've met Yog-Sothoth, have you not, my little two-legged beastie?
I thought as much.
He opened the way for us to come here.
To be honest, I didn't think much of it. Still don't. If I'd known the trouble we were going to have I doubt I'd have bothered. But I was younger then.
As I remember our first stop was dim Carcosa. Scared the shit out of me, that place. These days I can look at your kind without a shudder, but all those people, without a scale or pseudopod between them, gave me the quivers.
The King in Yellow was the first I ever got on with.
The tatterdemallion king. You don't know of him? Necronomicon page seven hundred and four (of the complete edition) hints at his existence, and I think that idiot Prinn mentions him in De Vermis Mysteriis. And then there's Chambers, of course.
Lovely fellow, once I got used to him.
He was the one who first gave me the idea.
What the unspeakable hells is there to do in this dreary dimension? I asked him.
He laughed. When I first came here, he said, a mere colour out of space, I asked myself the same question. Then I discovered the fun one can get in conquering these odd worlds, subjugating the inhabitants, getting them to fear and worship you. It's a real laugh.
Of course, the Old Ones don't like it.
The old ones? I asked.
No, he said, Old Ones. It's capitalized. Funny chaps. Like great starfish-headed barrels, with filmy great wings that they fly through space with.
Fly through space? Fly? I was shocked. I didn't think anybody flew these days. Why bother when one can sluggle, eh? I could see why they called them the old ones. Pardon, Old Ones.
What do these Old Ones do? I asked the King.
(I'll tell you all about sluggling later, Whateley. Pointless, though. You lack wnaisngh'ang. Although perhaps badminton equipment would do almost as well). (Where was I? Oh yes).
What do these Old Ones do, I asked the King.
Nothing much, he explained. They just don't like anybody else doing it.
I undulated, writhing my tentacles as if to say "I have met such beings in my time", but fear the message was lost on the King.
Do you know of any places ripe for conquering? I asked him.
He waved a hand vaguely in the direction of a small and dreary patch of stars. There's one over there that you might like, he told me. It's called Earth. Bit off the beaten track, but lots of room to move.
Silly bugger.
That's all for now, Whateley.
Tell someone to feed the shoggoth on your way out.
II.
Is it time already, Whateley?
Don't be silly. I know that I sent for you. My memory is as good as it ever was.
Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fthagn.
You know what that means, don't you?
In his house at R'lyeh dead Cthulhu waits dreaming.
A justified exaggeration, that; I haven't been feeling too well recently.
It was a joke, one-head, a joke. Are you writing all this down? Good. Keep writing. I know where we got up to yesterday.
R'lyeh.
Earth.
That's an example of the way that languages change, the meanings of words. Fuzziness. I can't stand it. Once on a time R'lyeh was the Earth, or at least the part of it that I ran, the wet bits at the start. Now it's just my little house here, latitude 47° 9' south, longitude 126° 43' west.
Or the Old Ones. They call us the Old Ones now. Or the Great Old Ones, as if there were no difference between us and the barrel boys.
Fuzziness.
So I came to Earth, and in those days it was a lot wetter than it is today. A wonderful place it was, the seas as rich as soup and I got on wonderfully with the people. Dagon and the boys (I use the word literally this time). We all lived in the water in those far-off times, and before you could say Cthulhu fthagn I had them building and slaving and cooking. And being cooked, of course.
Which reminds me, there was something I meant to tell you. A true story.
There was a ship, a-sailing on the seas. On a Pacific cruise. And on this ship was a magician, a conjurer, whose function was to entertain the passengers. And there was this parrot on the ship.
Every time the magician did a trick the parrot would ruin it. How? He'd tell them how it was done, that's how. "He put it up his sleeve", the parrot would squawk. Or "he's stacked the deck" or "it's got a false bottom".
The magician didn't like it.
Finally the time came for him to do his biggest trick.
He announced it.
He rolled up his sleeves.
He waved his arms.
At that moment the ship bucked and smashed over to one side.
Sunken R'lyeh had risen beneath them. Hordes of my servants, loathsome fish-men, swarmed over the sides, seized the passengers and crew and dragged them beneath the waves.
R'lyeh sank below the waters once more, awaiting that time when dread Cthulhu shall rise and reign once more.
Alone, above the foul waters, the magician -- overlooked by my little batrachian boobies, for which they paid heavily -- floated, clinging to a spar, all alone. And then, far above him he noticed a small green shape. It came lower, finally perching on a lump of nearby driftwood, and he saw it was the parrot.
The parrot cocked its head to one side and squinted up at the magician.
"Alright," it says, "I give up. How did you do it?"
Of course it's a true story, Whateley.
Would black Cthulhu, who slimed out of the dark stars when your most eldritch nightmares were suckling at their mothers' pseudomammaria, who waits for the time that the stars come right to come forth from his tomb-palace, revive the faithful and resume his rule, who waits to teach anew the high and luscious pleasures of death and revelry, would he lie to you?
Sure I would.
Shut up Whateley, I'm talking. I don't care where you heard it before.
We had fun in those days, carnage and destruction, sacrifice and damnation, ichor and slime and ooze, and foul and nameless games. Food and fun. It was one long party, and everybody loved it except those who found themselves impaled on wooden stakes between a chunk of cheese and pineapple.
Oh, there were giants on the earth in those days.
It couldn't last for ever.
Down from the skies they came, with filmy wings and rules and regulations and routines and Dho-Hna knows how many forms to be filled out in quintuplicate. Banal little bureaucruds, the lot of them. You could see it just looking at them: Five-pointed heads -- every one you looked at had five points, arms whatever, on their heads (which I might add were always in the same place). None of them had the imagination to grow three arms or six, or one hundred and two. Five, every time.
No offence meant.
We didn't get on.
They didn't like my party.
They rapped on the walls (metaphorically). We paid no attention. Then they got mean. Argued. Bitched. Fought.
Okay, we said, you want the sea, you can have the sea. Lock, stock, and starfish-headed barrel. We moved onto the land -- it was pretty swampy back then -- and we built Gargantuan monolithic structures that dwarfed the mountains.
You know what killed off the dinosaurs, Whateley? We did. In one barbecue.
But those pointy-headed killjoys couldn't leave well enough alone. They tried to move the planet nearer the sun -- or was it further away? I never actually asked them. Next thing I knew we were under the sea again.
You had to laugh.
The city of the Old Ones got it in the neck. They hated the dry and the cold, as did their creatures. All of a sudden they were in the Antarctic, dry as a bone and cold as the lost plains of thrice-accursed Leng.
Here endeth the lesson for today, Whateley.
And will you please get somebody to feed that blasted shoggoth?
III.
(Professors Armitage and Wilmarth are both convinced that not less than three pages are missing from the manuscript at this point, citing the text and length. I concur.)
The stars changed, Whateley.
Imagine your body cut away from your head, leaving you a lump of flesh on a chill marble slab, blinking and choking. That was what it was like. The party was over.
It killed us.
So we wait here below.
Dreadful, eh?
Not at all. I don't give a nameless dread. I can wait.
I sit here, dead and dreaming, watching the ant-empires of man rise and fall, tower and crumble.
One day -- perhaps it will come tomorrow, perhaps in more tomorrows than your feeble mind can encompass -- the stars will be rightly conjoined in the heavens, and the time of destruction shall be upon us: I shall rise from the deep and I shall have dominion over the world once more.
Riot and revel, blood-food and foulness, eternal twilight and nightmare and the screams of the dead and the not-dead and the chant of the faithful.
And after?
I shall leave this plane, when this world is a cold cinder orbitting a lightless sun. I shall return to my own place, where the blood drips nightly down the face of a moon that bulges like the eye of a drowned sailor, and I shall estivate.
Then I shall mate, and in the end I shall feel a stirring within me, and I shall feel my little one eating its way out into the light.
Um.
Are you writing this all down, Whateley?
Good.
Well, that's all. The end. Narrative concluded.
Guess what we're going to do now? That's right.
We're going to feed the shoggoth.
© Neil Gaiman 1986

Sunday, September 12, 2010

Book Review - Sandman, by Neil Gaiman (Issues 1-20)

Title:  Sandman
Author:  Neil Gaiman
Genre:  Fantasy / Comic
Rating:  4 out of 5 crazy nightmares

Neil Gaiman has proven himself to be one of the most influential writers of fantasy novels and poetry.  I take time to look at one very different Gaiman project:  the comic book series Sandman.  How does it stack up to one's expectations?

Just a quick disclaimer here, folks.  This is the first time I have reviewed a comic book.  And while I'm not 100% sure on how to go about it correctly, I promise I will do my best to consider both the writing and visual aspects of the comic book.  Also note that this review takes into consideration the first twenty issues of the comic.

The comic book Sandman follows the adventures of Morpheus, the god of dreams.  The series begins with the deity being held captive - his powerful artifacts and belongings being stolen and strewn throughout Earth and hell.  Morpheus eventually breaks free of his prison and encounters many colorful characters on his journey to attain his former power.  This is the basic premise of the series, but the story is much more complicated and interwoven.

The writing of Sandman is spot on for what one would expect from Gaiman.  The dry wit is there, along with undertones of fantasy and brooding darkness (the latter much more so than his other works).  This is an important point to keep in mind about this series.  Gaiman tackles some heavy issues in this series (substance abuse, death, serial killers), and although he manages to weave everything together nicely, the story does get a little dark at times.

However, for the most part Sandman is very well written.  Themes of hope and redemption run throughout, especially when Gaimain introduces his personification of Death (incidentally one of Morpheus' siblings).  These issues are some of the best in the series and really make you think about why people die and what happens afterward.

Most issues in this selection are great, but there are also some that don't quite hit the mark for this reader.  For instance, one of the longer chapters involves demons and fanciful creatures putting on a Victorian-era play for Morpheus for apparently no reason.


 Here are some highlights regarding the plot of Sandman:
  • Two of Morpheus' nightmare creatures attempt to overthrow his throne while he is imprisoned
  • Morpheus meets up with the rulers of hell and competes with a demon in a battle of wits
  • A disfigured and imprisoned Dr. Doom faces off with the king of dreams in a fight to the death
  • A group of people in a diner are held under the twisted persuasion and mind control of an evil man
  • A young girl inadvertantly stumbles upon a convention for murderers
  • Morpheus grants a man from medieval times endless life, and checks in on him throughout the centuries to see how his life has changed
The art of Sandman is amazing, and is really a treat to look at.  The artists blend color panels with black and white to great effect, and the individual details in each page can have you spending a lot of time just staring at the book.

I have never been a great connesuir of comic books, but I was pleasantly surprised by this one.  I definitely reccomend this series if you like comics, and even if you don't it's worth a try!

For more information about Sandman, check out my Spotlight post on Morpheus and my Review of The Ultimate Sandman, Volume 1.

4 out of 5 crazy nightmares!

Friday, February 5, 2010

Book Review - Anansi Boys, by Neil Gaiman







Title: Anansi Boys
Author: Neil Gaiman
Genre: Fantasy
Rating: 4.5 out of 5 spiders

Neil Gaiman's most recent novel, Anansi Boys, tells us the tale of Fat Charlie, a man that is trying to make a decent life for himself. That is, until is recloose father dies and he meets his long lost brother, Spider. At first, the reuinion is a welcomed event in Fat Charlie's life, but then Spider begins to take over Charlie's life and refuses to leave. The lengths that Fat Charlie goes to in order to make him leave will set in motion events that will change his life forever.

Anansi Boys is a classic faerie tale, as one comes to expect from Gaiman. It has quirky characters, fantastic events, and a great moral at the end. The unique aspect of this story, however, is that Gaiman bases it on West African / Carribean mythology. This gives the story a different atmosphere, while still feeling every bit like a Neil Gaiman yarn.

The characters in Anansi Boys feel a bit more three dimensional than those in some of Gaiman's other works, which is great. We watch Fat Charlie develop into a much more confident person. Spider has many layers that are uncovered throughout the novel. The "bad guy" is shocking and unique.

One of my favorite aspects of Anansi Boys is Gaiman's humor. You get a taste of it in his other works, but he really holds nothing back in this novel. This is evident both in the crazy plot developments and in the sarcastic comments that the characters often make. It serves to lighten the mood, which makes Anansi Boys a fun read.

At times, Anansi Boys can be a bit predictable, which is my only complaint about the story. Although this can sometimes be annoying, it doesn't seem to take anything away from the story in the end.

4.5 out of 5 spiders!

Wednesday, January 13, 2010

Book Review - Neverwhere, by Neil Gaiman




Title: Neverwhere
Author: Neil Gaiman
Genre: Fantasy
Rating: 4 out of 5 sewer pipes

Richard Mayhew was a man with an ordinary job, and ordinary fiancee, an ordinary life, and he was happy. Until the day when he found a girl bleeding to death on the sidewalk, and chose to help her. This simple act removes Richard from his ordinary life and throws him into the underground of London, where assassins, bodyguards, and rats rule all. So begins Neverwhere, by Neil Gaiman.

As you may have read in my First Impressions post, Neverwhere begins simply enough. The reader never even gets a sense of the true genre of the story until Richard meets a strange man who takes him on a strange journey, about 50 pages into the book. However, once Richard takes the leap into the underworld, anything goes.

The characters of Neverwhere are well written in that most of them are not what they appear to be at first glance. The most appealing characters in the book are acutally the "bad guys": Smooth talking, educated Mr. Croup, and brutal, quiet Mr. Vandemar. These two characters are a lot of fun to read about, and I actually found myself looking forward to their appearances.

Neverwhere, in contrast to some of Gaiman's other works (i.e. Stardust), is not very visually appealing. It seems as if the characters are always ducking in and out of sewer grates and trudging through dirty water. Although this is to be expected, given the setting of the book, it left my imagination wanting. I found myself imagining nearly every scene as the same dark section of sewer pipe.

Another thing that began to bother me about Neverwhere is the fact that it adheres too strongly to the standard mixture of fantasy elements. There is a hero, who is destined to save the day. There is a girl, who he must protect. There is an older male, who is wise and tells them everything they need to know. There is a strong and stern sidekick, who is hiding their true nature. Many stories borrow these character archetypes, but I think Gaiman relies too heavily on them here.

With that being said, Neverwhere still presents a very imaginitive view of what happens after one walks by a "homeless" person on the street. If we would just open our eyes, as Richard Mayhew did, we would discover a whole new world of possibilities.

4 out of 5 sewer pipes!

Friday, January 8, 2010

A Look Inside The Ultimate Sandman, Vol. 1

Hi all! Today, I wanted to walk you through The Ultimate Sandman, Vol. 1. You can check out the review of the actual comic content here, but today I'm going to take some time reviewing the actual product. When I saw this hefty volume in the book store for the first time, I was very intrigued. However, the price tag was pretty steep, and the product was wrapped in plastic, so I didn't want to take the plunge without knowing more about the value. After reading about Neil Gaiman's comic series, I finally put it on my Christmas list. And let me tell you, I am EXTREMELY impressed with what DC Comics did with this collection.

First, in terms of contents, The Ultimate Sandman, Vol. 1 comes with the first 20 full issues of the comic series - a total of more than 500 pages. The volume also contains an introduction by Paul Levitz, President and Publisher of DC Comics. Finally, at the end of the volume, there is more than 50 pages of "bonus material" - The original proposal, written by Neil Gaiman, of the comic series to DC Comics, a summary of the first eight issues (also written by Gaiman), the original story board and script of Issue 19, afterwords by Gaiman, and a ton of illustrations.

The volume is packaged in a rugged cardboard box with a beautiful illustration on the front. The volume itself is sturdily bound, has a solid spine, and has a convenient ribbon for marking your page. The pages are thick and durable, and the illustrations are beautifully colored. I have not seen other versions of the comic, but I have read that The Absolute Sandman contains remastered and enhanced illustrations. Beautiful (and sometimes creepy) illustrations are found at the beginning of each issue.

Is The Absolute Sandman the best volume for every reader? Maybe not. Like I said, it is on the expensive side for comic book. However, if you have felt interested in Sandman for a while and love quality books to collect and keep in your library, consider picking this one up. I wasn't disappointed!

Sunday, January 3, 2010

First Impressions - Neverwhere

Good evening everyone! I wanted to take this opportunity to try out a new post idea I had: First Impressions. I thought I would take my current read, and after reading about 20% of the book, post about my feelings on it so far. I figured it would give the curious reader some quick information about the story, and what to expect. But don't worry, my full review will always be posted when I am done with the book! Also, please note that I reserve the right to discuss some minor plot points. I don't necessarily consider these spoilers because they come so early in the book, but if you'd rather not know anything at all, avert your eyes! Also, feel free to leave comments telling me if you did/did not like this post idea!

Here are my first impressions of Neverwhere, written by Neil Gaiman.

At first, I wasn't sure about this book. The first few pages read like a generic drama, and although I could sense Gaiman's hand in the works, it felt too dissimilar from his other stories. However, as the pages started turning, I quickly began to realize that there is much more going on in Neverwhere than originally meets the eye.

A girl gets attacked by two devious men, Mr. Croup and Mr. Vandemar, and narrowly escapes to be rescued by the protagonist Richard Mayhew. This sets a chain of events in motion that sees Richard falling through the proverbial rabbit hole and literally scaling buildings above the streets of London. At the end of my First Impressions read, Richard has gone back to the life he knew only to realize that no one notices him anymore - and those that do, do not recognize who he is.

Neverwhere is quickly grabbing my attention, and I find that I can not put it down (although I should, as I have a full time job and school on my plate!). Something tells me the rest of the story will fly by as I continue to follow Richard deep into the shadowed regions of London's underground.

Saturday, January 2, 2010

Movie Review - Stardust




Title: Stardust
Director: Matthew Vaughn
Rating: 4.5 out of 5

Stardust, directed by Matthew Vaughn, is the movie adaptation of Neil Gaiman's popular fairy tail of the same name. I have recently finished the book, but I saw the movie before reading the book, so I thought I would review the movie first as well. Stardust details the adventures of Tristran Thorn, who has promised his true love that he would go to the unknown world of Faerie and retrieve a fallen star as a token of his affection.

The visual effects in Stardust are beautifully handled. It would have been all too easy to let CGI run wild with a story like this, but Vaughn manages to focus on the actors' performances rather than relying on the crutch of computers. With that said, those effects that are used serve to immerse the audience in Faerie.

Stardust is a very colorful and visually stimulating film. Beautiful costumes are set against vast vistas and backdrops. It is easy to just watch the movie and smile.

Where Startdust really shines, in my opinion, is in the actors. It is difficult to think of a role that I thought of as miscast, or a performance that was not quite up to snuff. Robert DiNero's character is one of my favorites, along with the great Peter O'Toole (as brief of a role as it is).

The scenes in Stardust are immediately memorable. The film is filled with action and romance, and there is something for everyone in the audience. Watch this movie!

4.5 out of 5!


Monday, December 28, 2009

Mailbox Monday - Christmas Edition!

Hey all! I hope everyone had a merry Christmas. The day has come and gone, and Santa has left my bookshelves a few thousand pages heavier. Here is what arrived in my mailbox (err, stocking) this week:

Dante's Divine Comedy. A classic about a man's journey through hell, purgatory, and heaven - and the souls he meets along the way. I will be reading this one with my girlfriend, since we were both hoping to get it for Christmas.





Stephen King's Under the Dome. His newest work about an entire city that gets surrounded in a type of forcefield. I haven't read much about this one yet, but I like King, and I am a sucker for long books (over 1,000 pages).



Neil Gaiman's The Absolute Sandman, Vol. 1. A collection of 20 issues of Gaiman's graphic novel that features Morpheus, king of dreams. I've been waiting for the one for a while - I can't wait to read it!


Neil Gaiman's Stardust. A popular fairie tale about a boy who crosses into a forbidden land to find his heart's desire. Bought by myself with Christmas money. I loved the movie, and I know I will love the book.




Neil Gaiman's Neverwhere. A man gets lost in the dark corners of London, and must find his way home. Another one that I haven't read much about. But I know Neil won't let me down!



Wednesday, December 23, 2009

Challenge - Neil Gaiman Reading Challenge

Hey all! Today is a big day for me! I will be participating in my first. blog. challenge. That's right. It is hosted over at Neil Gaiman Reading Challenge and it is a (guess what) Neil Gaiman challenge! The rules are simple: 365 days, 5 Neil Gaiman books (graphic novels and audio books are OK), and one special prize to be given at random to all who complete the challenge.

Can you say - EXCITING?

Here are my picks for this challenge:

1. Stardust - COMPLETE
2. Anansi Boys - COMPLETE
3. American Gods
4. The Absolute Sandman, Vol. 1 - COMPLETE
5. Neverwhere - COMPLETE

So head on over to the challenge's website to sign up and participate, and keep your eyes peeled here throughout 2010 for reviews of these books!

Monday, December 21, 2009

Goliath - By Neil Gaiman



Neil Gaiman, one of the most celebrated fantasy writers of our time, delves into the world of The Matrix in his short story entitled Goliath. While reading this story, one can feel the science fiction tones of the subject matter embedded with Gaiman's fairy tale style. If you are a fan of either The Matrix or Neil Gaiman, you will love this story. You can read it on the Warner Brothers website here.