Wednesday, December 22, 2010

Book Review: The Way of Kings, by Brandon Sanderson

Title: The Way of Kings
Author: Brandon Sanderson
Genre: Fantasy
Rating: 4 out of 5 magical swords

The Way of Kings (or just Kings from now on) is the first novel in a planned ten book series written by Brandon Sanderson. A ton of hype surrounded this book before release, and many hoped (myself included) that it would be the beginning of “our” generation’s great fantasy series. How does it stack up against the monolithic authors that we have come to rate all others upon (I’m looking at you, Tolkien, Rowling, and Lewis)? Let’s find out...

Kings, at its heart, is a story of war. There is plenty of bloodshed on the battlefield, but conflict is also buried deep in the hearts of the main characters of the novel. The story follows the lives of three people as they struggle to survive in the desolated continent of Roshar.

They are...

Kaladin: A young man who was trained as a surgeon, and then became one of the best spearmen in Alethkar’s army. For unknown reasons, we now find him branded as a slave and a murderer sent to rot and die in a work camp for the same men that he protected. Memories of past failure and death haunt Kaladin, and he must overcome them if he is to escape the clutches of the tyrants who rule him.

Dalinar: A Highprince of Alethkar, uncle to the reigning king, and commander of a tenth of the nation’s troops. Rumors run wild through the camps that this once brutal war chief has lost the taste for battle, and has slowly been losing his mind. Dalinar walks a difficult line between the man others need him to be and the man who he promised himself he would become.

Shallan: A young woman who has traveled to a far-away kingdom in order to become a pupil of Jasnah, one of the wisest women in the world, and sister to the king. Shallan would do anything to achieve this goal; to fail would signal the fall of her entire family.

Kings focuses mainly on the nation of Alethkar, as it seeks vengeance on a seemingly endless number of foes for the murder of the previous king. The Highprinces, instead of uniting to crush the foe – squabble and compete with one another. Alethkar used to be a symbol of honor and pride, but it has quickly descended into chaos.

Sprinkled among the chapters are various “interludes” – short tales focusing on different characters and different regions of Roshar – meant both to break up the story and to give some hints at the broader plot of the series as a whole. Some of these are very exciting (especially those about the brutal assassin who can bend gravity to his will), but others seem only to slow down the pace of the novel. After all, it is likely that we will never hear from these “interlude” characters again, so it is hard to care about them or their situations.

The main characters, though much more solid, do not feel as three dimensional as Sanderson’s other creations. You can be sure that all three of the characters...

1. Are hiding a terrible secret from their colleagues
2. Are “rife” with a simple internal conflict
3. Change from one viewpoint to a second (opposite) viewpoint multiple times throughout the novel

Sound familiar? These elements are part of every character (ever), but Sanderson doesn’t seem to take that extra time to really add something MORE to the mix in order to make them shine. I still cared about the characters, but they weren’t as colorful as those from other Sanderson novels.

This may be in part to the vast amount of time that Sanderson spends building his world – and let me tell you, this is a monolithic undertaking. Sanderson’s love for the unique is stamped throughout Roshar. It seems he has thought of everything, including...

Class structure and sociology – Those who are born with light colored eyes are naturally born to rule and hold higher places in society than those with dark eyes.

Economics – Money is in the form of small glass spheres that hold a gem stone. The type and size of the stone marks different denominations.

Religion – The most popular religion of our characters is Vorinism, a teaching rife with past failure and political implications

Gender roles – Males focus on war and politics and are often illiterate. Females read, write, and create art. Therefore, in order to be powerful, men and women must work as a team to account for the others’ weaknesses. There are even masculine and feminine foods.

Technology – Mankind has invented a variety of contraptions called fabrials, which use the power of gemstones to do many functions, from heating a room to turning stone into food.

Mythology – Countless stories and myths including The Almighty, his ten Heralds, evil Voidbringers, and the once majestic Knights Radiant who turned their back on mankind in their hour of need.

Geography and biology – The land of Roshar is constantly assaulted by disastrous storms that can rip people apart in an instant. As such, life has adapted. People live in small stone houses on the leeward side of large rock formations, plants such as blades of grass are able to retract themselves into the ground at the first sign of a threat, and animals are covered with large chitinous plates to protect them.

Nothing has been left out of Sanerdon’s world, and it is very satisfying to read about all of the little pieces that other authors tend to ignore.

Of course, the icing on the cake (as always) is Sandersons use of magic. In this novel, magic tends to be left to the myths and legends of Roshar. In fact, what magic the people do use is in the form of relics that have survived, namely powerful Blades and Plate armor that grants their owners superhuman strength and agility. All of these magical objects seem to feed off of Stormlight, a mysterious luminescence that is infused into gemstones whenever a storm passes. Unlike in Sanderson’s other novels, magic in Kings is mysterious even to those who wield it, so there is never a perfectly clear explanation of its workings. Indeed, I imagine a large portion of the series will be devoted to uncovering the secrets behind the magic of the land.

Being the first novel in a ten book series, Kings is meant mainly to introduce the main characters and the world that they live in. The pace is often slow and with a few exciting exceptions, not much actually happens in the book. This is understandable for a first book in a large series, but it can feel a bit tedious when that book is about 1000 pages long. Having said that, Kings is still a fun and exciting read, one just needs to have a good amount of “reading stamina” to get through it in one piece.  Those that do finish it will be rewarded:  the last few chapters in particular are like a punch in the stomach, and make you wish the novel was twice as long.

In all, The Way of Kings is a great start to what looks to be a lasting series.  Due to the unique and detailed world that Sanderson paints, Kings comes highly recommended.

4 out of 5 magical swords!


Wednesday, December 15, 2010

Behind the Scenes of HBO's Game of Thrones

Good day to you all!  I am very excited this evening because it means that HBO's new series based on George R. R. Martin's The Game of Thrones is one more day closer!  HBO has been showing the trailer more frequently, and they recently aired a short "Behind the Scenes" featurette about the first season.  Exciting!  Check it out!



Monday, December 13, 2010

Picture the Dead Giveaway Results

First, as always, I would like to send out a big thank you to everyone who entered this giveaway.

And the winner of a signed copy of Picture the Dead, by Adele Griffin ans Lisa Brown, is...

sharon54220!

Congratulations!


Sunday, November 28, 2010

Giveaway: Picture the Dead (signed), by Adele Griffin and Lisa Brown

 Hi folks!  I've got a great giveaway for you...  Picture the Dead, by Adele Griffin and Lisa Brown.  From the book sleeve:

"After losing her parents and her brother, falling in love with Will was Jennie Lovell's last opportunity for happiness.  But then she lost him too...  

As Jennie tries to mend the pieces of her broken life, she feels an eerie presence from something otherworldly...  something that won't let her leave the past behind.  

Acclaimed author adele Griffin and bestselling author Lisa Brown have created a spellbinding mystery where the living cannot always be trusted, and death is not always the end."

I was lucky enough to have both of the authors sign this copy for me, and it would make a great addition to any mystery/scifi/romance reader's bookshelf.

This giveaway is for one signed, hardcover copy of Picture the Dead, by Adele Griffin and Lisa Brown.  The giveaway will run from 11/28/2010 to 12/12/2010.  The winner will be announced on 12/13/2010.  Please, United States entrants only.  The following is a list of how you can enter the giveaway and increase your chances of winning!

+1 Entry - Comment on this post and include your e-mail address (required to enter)
+3 Entries - Become a follower, or tell me if you already are a follower
+1 Entry (each) - Link to this post in a tweet, blog post, blog sidebar, facebook status, or smoke signals.  Be sure you leave a link to your publicity in your comment on this post (or include a photo of any applicable smoke signals)

Good luck everyone!

Saturday, October 30, 2010

UPDATE, and a new book-related network

Hi folks, I know that I haven't been blogging lately, but there is a very good reason for that.  It's not that I haven't been reading much, but the types of books I have been reading has changed considerably.  You see, vet school has started, and I have been left with precious little time/energy to read for pleasure.  I've been feeling guilty for not posting reviews for a while, so I figured I would take a study break to review some of my more recent reads.  Without further adiue...

Title:  Textbook of Veterinary Physiological Chemistry
Author:  Larry R. Engelking
Genre:  Romance

A new-age take on a classic tale of eternal love and compassion.  Acetate is the upper class girl trying to make it on her own in the big city.  Carboxybiotin is the bad boy from the wrong side of the tracks who is trying to hide from his past.  Will they ever be able to reconcile their differences and make sweet, sweet malonate?  Not if Acetate's well-to-do father, Propionate, has anything to to with it.  He knows those young fatty acids only have one thing on their mind:  condensation.


Title:  Guide to the Dissection of the Dog
Author:  Evans de Lahuta
Genre:  Cop Drama

In a world where the hip bone's connected to the leg bone, and the leg bone's connected to the knee bone, Officer Neuron patrols the streets of the Central Nervous System superhighway.  One day, he comes upon a notorious synapse dealing in dopamine and gamma aminobutyric acid.  It's up to our protagonist to bring him down, and get back to his muscle at home in time for contraction.


Friday, September 24, 2010

Fun with Cthulhu (the many humourous things people have done with the greatest evil in the known universe)

Happy Friday everyone!  We have come to the end of H. P. Lovecraft week, and I would like to leave you all with a smile.  With the advent of the internet and "geek culture", Lovecraft's Cthulhu Mythos has recently become something of an inside joke to many e-geeks (such as myself).  Although Lovecraft describes Cthulhu as the most evil entity in the universe - and perhaps in spite of that - people love to laugh at the tentacled monster.  I showed you one example yesterday in the form of a humorous story written by Neil Gaiman.  Something about Cthulhu just makes people want to laugh.  Here are a few more examples that you can find floating around on the internet...

Under the ocean, Cthulhu rests... patiently awaiting the time when he can devour your feet!  er, soul!


Feeling patriotic?  Cthulhu loves the taste of patriotism!


I love the facial expressions on this little guy's victims.  I'd be scared too!


A Cthulhu-based parody of "Hey There Delilah" by the Plain White T's, and a photo montage.

Yes, this place actually exists, and I want to go there.


Foiled again!



Calls For Cthulhu - The Great Old One answers all of your burning questions!


A cartoon about the adventures of Lil' Cthulhu.  Aww isn't he cute?

I hope you all enjoyed H. P. Lovecraft week!

Thursday, September 23, 2010

I Cthulhu, by Neil Gaiman

Hi folks.  Today, I have a special treat for you.  As I mentioned earlier in the week, the work of H. P. Lovecraft has inspired a generation of writers, many of which added their own tales to the Cthulhu Mythos.  One such author is Neil Gaiman, a common topic of L&M.  Most known for his dry humor and imaginative "fairy tales", Gaiman wrote his own piece inspired by Lovecraftian Lore.  I Cthulhu is in the form of a memoir, dictated by the Great and terrible Cthulhu to one of his puny slaves.  Gaimain pokes fun at the often serious nature of Lovecraft's tales, and gives us possible insight into the life of Cthulhu, a creature that we've otherwise only read about in reference to unspeakable evil, devouring souls, and the end of the world.  Enjoy!

--

I Cthulhu
or What's A Tentacle-Faced Thing Like Me Doing In A Sunken City Like This (Latitude 47° 9' S, Longitude 126° 43' W)?
I.
Cthulhu, they call me. Great Cthulhu.
Nobody can pronounce it right.
Are you writing this down? Every word? Good. Where shall I start -- mm?
Very well, then. The beginning. Write this down, Whateley.
I was spawned uncounted aeons ago, in the dark mists of Khhaa'yngnaiih (no, of course I don't know how to spell it. Write it as it sounds), of nameless nightmare parents, under a gibbous moon. It wasn't the moon of this planet, of course, it was a real moon. On some nights it filled over half the sky and as it rose you could watch the crimson blood drip and trickle down its bloated face, staining it red, until at its height it bathed the swamps and towers in a gory dead red light.
Those were the days.
Or rather the nights, on the whole. Our place had a sun of sorts, but it was old, even back then. I remember that on the night it finally exploded we all slithered down to the beach to watch. But I get ahead of myself.
I never knew my parents.
My father was consumed by my mother as soon as he had fertilized her and she, in her turn, was eaten by myself at my birth. That is my first memory, as it happens. Squirming my way out of my mother, the gamy taste of her still in my tentacles.
Don't look so shocked, Whateley. I find you humans just as revolting.
Which reminds me, did they remember to feed the shoggoth? I thought I heard it gibbering.
I spent my first few thousand years in those swamps. I did not like this, of course, for I was the colour of a young trout and about four of your feet long. I spent most of my time creeping up on things and eating them and in my turn avoiding being crept up on and eaten.
So passed my youth.
And then one day -- I believe it was a Tuesday -- I discovered that there was more to life than food. (Sex? Of course not. I will not reach that stage until after my next estivation; your piddly little planet will long be cold by then). It was that Tuesday that my Uncle Hastur slithered down to my part of the swamp with his jaws fused.
It meant that he did not intend to dine that visit, and that we could talk.
Now that is a stupid question, even for you Whateley. I don't use either of my mouths in communicating with you, do I? Very well then. One more question like that and I'll find someone else to relate my memoirs to. And you will be feeding the shoggoth.
We are going out, said Hastur to me. Would you like to accompany us?
We? I asked him. Who's we?
Myself, he said, Azathoth, Yog-Sothoth, Nyarlathotep, Tsathogghua , Ia ! Shub Niggurath, young Yuggoth and a few others. You know, he said, the boys. (I am freely translating for you here, Whateley, you understand. Most of them were a-, bi-, or trisexual, and old Ia! Shub Niggurath has at least a thousand young, or so it says. That branch of the family was always given to exaggeration). We are going out, he concluded, and we were wondering if you fancied some fun.
I did not answer him at once. To tell the truth I wasn't all that fond of my cousins, and due to some particularly eldritch distortion of the planes I've always had a great deal of trouble seeing them clearly. They tend to get fuzzy around the edges, and some of them -- Sabaoth is a case in point -- have a great many edges.
But I was young, I craved excitement. "There has to be more to life than this!", I would cry, as the delightfully foetid charnel smells of the swamp miasmatised around me, and overhead the ngau-ngau and zitadors whooped and skrarked. I said yes, as you have probably guessed, and I oozed after Hastur until we reached the meeting place.
As I remember we spent the next moon discussing where we were going. Azathoth had his hearts set on distant Shaggai, and Nyarlathotep had a thing about the Unspeakable Place (I can't for the life of me think why. The last time I was there everything was shut). It was all the same to me, Whateley. Anywhere wet and somehow, subtly wrong and I feel at home. But Yog-Sothoth had the last word, as he always does, and we came to this plane.
You've met Yog-Sothoth, have you not, my little two-legged beastie?
I thought as much.
He opened the way for us to come here.
To be honest, I didn't think much of it. Still don't. If I'd known the trouble we were going to have I doubt I'd have bothered. But I was younger then.
As I remember our first stop was dim Carcosa. Scared the shit out of me, that place. These days I can look at your kind without a shudder, but all those people, without a scale or pseudopod between them, gave me the quivers.
The King in Yellow was the first I ever got on with.
The tatterdemallion king. You don't know of him? Necronomicon page seven hundred and four (of the complete edition) hints at his existence, and I think that idiot Prinn mentions him in De Vermis Mysteriis. And then there's Chambers, of course.
Lovely fellow, once I got used to him.
He was the one who first gave me the idea.
What the unspeakable hells is there to do in this dreary dimension? I asked him.
He laughed. When I first came here, he said, a mere colour out of space, I asked myself the same question. Then I discovered the fun one can get in conquering these odd worlds, subjugating the inhabitants, getting them to fear and worship you. It's a real laugh.
Of course, the Old Ones don't like it.
The old ones? I asked.
No, he said, Old Ones. It's capitalized. Funny chaps. Like great starfish-headed barrels, with filmy great wings that they fly through space with.
Fly through space? Fly? I was shocked. I didn't think anybody flew these days. Why bother when one can sluggle, eh? I could see why they called them the old ones. Pardon, Old Ones.
What do these Old Ones do? I asked the King.
(I'll tell you all about sluggling later, Whateley. Pointless, though. You lack wnaisngh'ang. Although perhaps badminton equipment would do almost as well). (Where was I? Oh yes).
What do these Old Ones do, I asked the King.
Nothing much, he explained. They just don't like anybody else doing it.
I undulated, writhing my tentacles as if to say "I have met such beings in my time", but fear the message was lost on the King.
Do you know of any places ripe for conquering? I asked him.
He waved a hand vaguely in the direction of a small and dreary patch of stars. There's one over there that you might like, he told me. It's called Earth. Bit off the beaten track, but lots of room to move.
Silly bugger.
That's all for now, Whateley.
Tell someone to feed the shoggoth on your way out.
II.
Is it time already, Whateley?
Don't be silly. I know that I sent for you. My memory is as good as it ever was.
Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fthagn.
You know what that means, don't you?
In his house at R'lyeh dead Cthulhu waits dreaming.
A justified exaggeration, that; I haven't been feeling too well recently.
It was a joke, one-head, a joke. Are you writing all this down? Good. Keep writing. I know where we got up to yesterday.
R'lyeh.
Earth.
That's an example of the way that languages change, the meanings of words. Fuzziness. I can't stand it. Once on a time R'lyeh was the Earth, or at least the part of it that I ran, the wet bits at the start. Now it's just my little house here, latitude 47° 9' south, longitude 126° 43' west.
Or the Old Ones. They call us the Old Ones now. Or the Great Old Ones, as if there were no difference between us and the barrel boys.
Fuzziness.
So I came to Earth, and in those days it was a lot wetter than it is today. A wonderful place it was, the seas as rich as soup and I got on wonderfully with the people. Dagon and the boys (I use the word literally this time). We all lived in the water in those far-off times, and before you could say Cthulhu fthagn I had them building and slaving and cooking. And being cooked, of course.
Which reminds me, there was something I meant to tell you. A true story.
There was a ship, a-sailing on the seas. On a Pacific cruise. And on this ship was a magician, a conjurer, whose function was to entertain the passengers. And there was this parrot on the ship.
Every time the magician did a trick the parrot would ruin it. How? He'd tell them how it was done, that's how. "He put it up his sleeve", the parrot would squawk. Or "he's stacked the deck" or "it's got a false bottom".
The magician didn't like it.
Finally the time came for him to do his biggest trick.
He announced it.
He rolled up his sleeves.
He waved his arms.
At that moment the ship bucked and smashed over to one side.
Sunken R'lyeh had risen beneath them. Hordes of my servants, loathsome fish-men, swarmed over the sides, seized the passengers and crew and dragged them beneath the waves.
R'lyeh sank below the waters once more, awaiting that time when dread Cthulhu shall rise and reign once more.
Alone, above the foul waters, the magician -- overlooked by my little batrachian boobies, for which they paid heavily -- floated, clinging to a spar, all alone. And then, far above him he noticed a small green shape. It came lower, finally perching on a lump of nearby driftwood, and he saw it was the parrot.
The parrot cocked its head to one side and squinted up at the magician.
"Alright," it says, "I give up. How did you do it?"
Of course it's a true story, Whateley.
Would black Cthulhu, who slimed out of the dark stars when your most eldritch nightmares were suckling at their mothers' pseudomammaria, who waits for the time that the stars come right to come forth from his tomb-palace, revive the faithful and resume his rule, who waits to teach anew the high and luscious pleasures of death and revelry, would he lie to you?
Sure I would.
Shut up Whateley, I'm talking. I don't care where you heard it before.
We had fun in those days, carnage and destruction, sacrifice and damnation, ichor and slime and ooze, and foul and nameless games. Food and fun. It was one long party, and everybody loved it except those who found themselves impaled on wooden stakes between a chunk of cheese and pineapple.
Oh, there were giants on the earth in those days.
It couldn't last for ever.
Down from the skies they came, with filmy wings and rules and regulations and routines and Dho-Hna knows how many forms to be filled out in quintuplicate. Banal little bureaucruds, the lot of them. You could see it just looking at them: Five-pointed heads -- every one you looked at had five points, arms whatever, on their heads (which I might add were always in the same place). None of them had the imagination to grow three arms or six, or one hundred and two. Five, every time.
No offence meant.
We didn't get on.
They didn't like my party.
They rapped on the walls (metaphorically). We paid no attention. Then they got mean. Argued. Bitched. Fought.
Okay, we said, you want the sea, you can have the sea. Lock, stock, and starfish-headed barrel. We moved onto the land -- it was pretty swampy back then -- and we built Gargantuan monolithic structures that dwarfed the mountains.
You know what killed off the dinosaurs, Whateley? We did. In one barbecue.
But those pointy-headed killjoys couldn't leave well enough alone. They tried to move the planet nearer the sun -- or was it further away? I never actually asked them. Next thing I knew we were under the sea again.
You had to laugh.
The city of the Old Ones got it in the neck. They hated the dry and the cold, as did their creatures. All of a sudden they were in the Antarctic, dry as a bone and cold as the lost plains of thrice-accursed Leng.
Here endeth the lesson for today, Whateley.
And will you please get somebody to feed that blasted shoggoth?
III.
(Professors Armitage and Wilmarth are both convinced that not less than three pages are missing from the manuscript at this point, citing the text and length. I concur.)
The stars changed, Whateley.
Imagine your body cut away from your head, leaving you a lump of flesh on a chill marble slab, blinking and choking. That was what it was like. The party was over.
It killed us.
So we wait here below.
Dreadful, eh?
Not at all. I don't give a nameless dread. I can wait.
I sit here, dead and dreaming, watching the ant-empires of man rise and fall, tower and crumble.
One day -- perhaps it will come tomorrow, perhaps in more tomorrows than your feeble mind can encompass -- the stars will be rightly conjoined in the heavens, and the time of destruction shall be upon us: I shall rise from the deep and I shall have dominion over the world once more.
Riot and revel, blood-food and foulness, eternal twilight and nightmare and the screams of the dead and the not-dead and the chant of the faithful.
And after?
I shall leave this plane, when this world is a cold cinder orbitting a lightless sun. I shall return to my own place, where the blood drips nightly down the face of a moon that bulges like the eye of a drowned sailor, and I shall estivate.
Then I shall mate, and in the end I shall feel a stirring within me, and I shall feel my little one eating its way out into the light.
Um.
Are you writing this all down, Whateley?
Good.
Well, that's all. The end. Narrative concluded.
Guess what we're going to do now? That's right.
We're going to feed the shoggoth.
© Neil Gaiman 1986